THE SPIRITUAL SIGNIFICANCE BEHIND THE MAYAN CALENDAR AND THE SHIFT OF WORLD AGES

Graphic © original artist unknown

Miguel A. Sague Sobaoko Koromo
Beike Bo
Caney Indigenous Spiritual Circle

Mayan Calendar and the prophecy of the Five World Ages

In this series of posts I intend to present our understanding of the Mayan Calendar's prophetic meaning and its relationship to the changes occuring in the present time.

To understand what is commonly referred to as the "World Age Shift" of the year 2012 one must understand the version of the ancient Mayan calendar system now known by the name "LONG COUNT". The Long Count is only one of several different day-counts that the ancient Mayas maintained in order to derive sense and meaning from the continuous passing of time. It was used in unison and in combination with several other systems of measuring time and was seen as a part of a harmonious whole, composed of many individual parts.

The basic most fundamental element of the Mayan counting system was the 24-hour period we know as the "DAY". The ancient Mayas called it "kin" (pronounced "keen").

Days were perceived to run in cycles of twenty, and each one of those twenty days in the cycle had a special name that imbued that day with specific symbolic power and potential. In the Yucatec variant of the Maya language the twenty named days were called Imix, Ik Akbal, Kan, Chicchan, Cimi, Manic, Lamat, Muluc, Oc, Chuen, Eb, Ben, Ix, Men, Cib, Caban, Eztnab, Kauac and Ahau.

As I said earlier, the ancient Mayas maintained several different counting systems. In each one of these counting systems the order of the named days was slightly different. In the counting system now known as the "Long Count" the twenty days were always counted in a cycle that began with the one that the ancient Mayas called "Imix" (Imix was assigned the position of "First Day") and ended with the one called "Ahau". In the Long Count, these periods of twenty days were called "uinals".

In other time-counting systems used by the ancient Mayas the beginning named day would be a different one each year. For example, in the system known as the "Haab" the sequence could start on any one of four special named days that were considered New-Year's Day. This means that on a specific year every twenty-day cycle of the Haab system would start with the day Ik and end on the day Imix. On a different year the twenty-day period might start with the day Manic and end on the day Cimi, and so on. In at least one counting system that the ancient Mayas maintained, a system now known as the "Tzolkin" they did not seem to recognize any one of the twenty named days in particular as a "beginning" day, viewing the cycle as more of an endless circular sequence with no beginning and no end. This particular counting system combined a series of 13 numerals depicted in the form of dots and bars, with the aforementioned sequence of twenty named days. This combination yielded a cycle of exactly 260 days.

As I mentioned earlier, the ancient Mayas understood all time to be composed of cycles. These cycles were organized in such a way as to be grouped. Small cycles were grouped together to form middle-sized cycles and middle-sized cycles were grouped together to form large cycles. In some ways the organization of Mayan time cycles in the Long Count system resembled the Gregorian system of twelve months to a year, 100 years to a century and a hundred centuries to a millennium.

Aside from the obvious fact that the Mayas thought in terms of twenties instead of tens and hundreds, the other difference between the Gregorian system and the Mayan Long Count was that the Mayas believed that when each cycle ended the humans who were counting these cycles actually returned to a psychic or phenomenological place synonymous or equivalent to that experienced at the very beginning of the cycle. Endings of cycles were perceived as a kind of return to the beginning where things could be done over and a better result could be attempted. They saw these as a kind of "second chance". They also saw beginnings of cycles as a kind of "death-birth" process, much in the same way that the Gregorian year-end is seen as the "old age" or "death" of an "old year, and the New Year is seen as the "baby". The big difference between the Gregorian and ancient Mayan perception of cycles is the fact that in the Gregorian it is all seen as a long linear process in which there is always forward progress from cycle to cycle, with one cycle ending and the new one taking its place. The ancient Mayan perception of a cycle was very literal, and circular. They actually perceived the end of a cycle as an actual return to the beginning. The death of one cycle was not seen to portent the beginning of a new and different cycle. It was rather seen as the event that preceded a "resurrection" of sorts of the same cycle. The old cycle itself (not a separate successor) was expected to be reborn, begin anew, and make the journey all over again. This was a process that went on and on, repeating indefinitely. In a sense, humans also were seen as a kind of re- incarnation or resurrected manifestation of their dead ancestors, making the life-journey yet again as the ancestor had done before. This concept even applied to younger generations of divinities and gods, who were seen as reincarnations or new manifestations of older gods.

Most of the basic time elements into which the ancient Mayas organized their days or "kins" were cycles that for the most part were based on multiples or factors of the numbers twenty and thirteen. These two numbers held extremely powerful symbolism to the ancient Mayas and they cropped up time and again in their sacred numerology.

In the Long Count, the kins were initially grouped into a cycle of twenty units called a uinal (as mentioned earlier). These uinals were grouped into the only cycle in the Mayan Long Count system that did not utilize either the number twenty or the number thirteen, or any of their multiples or factors. This cycle was called a "Tun". It only contained 18 uinals, which yields a period of 360 days. This is almost certainly designed so that its length approximated a solar year of 365 days. That's why I sometimes like to call the tun a "near- year" and I sometimes refer to a period of a hundred tuns as a "near- century".

Twenty tuns constituted a cycle called a "Katun". Twenty katuns constituted a cycle called a "Baktun". A sequence of thirteen of these huge quantities of time (baktuns) was perceived to represent a great cycle now popularly known as a "World Age". The World Age was made up of exactly 5,200 tuns and is reckoned to be in the vicinity of just a little over 5,100 years in length. The present Mayan World Age began on the date August 11, at a time reckoned by the Gregorian Calendar as the year 3114 B.C.( a day considered by the Mayas as "Day One" of the first Baktun) and is scheduled to end on December 21st in the Gregorian year 2012 ( the last day of the thirteenth Baktun).

But the ancient Mayas saw this enormous 5,200-tun long period of time as a segment in yet an even larger sequence. This larger sequence was a cycle composed of five of these World Ages, about 26,000 years. There is very strong evidence that the concept of these five World Ages perceived as a combined unit of 26,000 years was arrived at by reckoning the amount of time it takes between the approximate date in one era on which the Winter Solstice sunrise appears to conjunct exactly with the dead center of the Milky Way Galaxy in the eastern horizon, and the next era in which this same astronomical phenomenon occurs again. It turns out that this occurrence was discovered to repeat almost exactly every 26,000 tuns, almost 260 centuries. That is equivalent to a little over 25,000 years and is associated to a phenomenon now known as "Precession of the Equinoxes". Coincidentally, there are several other facts concerning the Milky way Galaxy that relate to this enormous period of time. It takes approximately 260 centuries for light emitted at the bright glowing center of the Milky Way Galaxy to reach the earth. Moreover, it takes approximately 260 centuries for the Milky Way Galaxy to complete a full revolution upon it axis. It takes roughly 260 centuries for light emitted at the bright glowing center of the Galaxy, to reach Planet Earth. The light that arrives on Earth from the Heart of the galaxy (The Heart of Heaven) is a vehicle transmitter of important cosmic/spiritual information which originates at the very center of the Universe itself. This information is most likely coded in binary language. It is understood by some researchers that this binary-code information is further translated and decoded by passing through the solar orb. That can only happen at moments of alignment when the galaxy, the sun and the Earth are perfectly in line with each other. At those rare moments there is a concise focusing and perfect interpretation of the vital information originating at the Center of the Universe which is being transmitted through the heart of the galaxy and from there through the center of the sun and then finally to the earth. An alignment of this kind is scheduled to occur on the Gregorian date December 21st in the year 2012. This kind of Winter Solstice alignment only takes place once every 260 centuries. This huge length of time is equivalent to exactly five Mayan Calendar "World Age" cycles. The ancient Mayas almost certainly noticed the auspicious numerological parallel between the product of the two sacred numbers 20 X 13 = 260, and the macrocosmic equivalent in the length of the Precessionary process, 26,000 tuns, which in effect is 260 tun "centuries" long. Because the number 260 is the product of twenty and thirteen it is just as sacred a length of time as the two individual numbers themselves that make it up. Furthermore all of these numbers had symbolic significance associated with the measure of humanity which made them very spiritually relevant to the ancient Mayas. Twenty is the number of the fingers and toes in a complete human. In fact, the word "uinal" is associated with the word "uinic" in one dialect of the Maya language. The word "uinic" simply means "a human being". Thirteen is the number of joints in the human body. 260 is the number of days it takes for a human embryo to gestate in a human womb, nine months. That is the reason that the number 260 is very closely associated with fertility, birth and re- birth. In terms of the Long Count the 260 centuries present a broad macrocosmic gestation period. In that respect, this enormous period of time represents the gestation of an epoch in the history of humanity, in other words, an "Evolutionary Cycle".

Installment# 2

Mayan Calendar and the prophecy of the Five World Ages

It turns out that the beginning of the present 260-century Evolutionary Cycle of five World Ages began during the Ice Age in human pre-history, at around 24,000 B.C. At the time that it began, humans as a species found themselves scattered over the whole surface of the habitable planet. People at that time lived in small nomadic family or clan units. They wandered over the primordial landscape making their living primarily from the hunting of large Ice-Age animals, most of which no longer exist today. The human species, had expanded out of its original homeland and spread itself out, over a long period of time, so widely over the surface of the earth that most individual groups lost track of each other. The far-flung species began to evolve into different varieties, each suited to the lifestyle in the continent and habitat that it had populated. Physical adaptation to different environments caused variations in race. By the year 24,000 B.C. the human species had evolved into the wonderful multiplicity of different colors and features that is its global hallmark today. Prolonged geographic isolation of individual groups from each other, and of individual races from other races created wider and wider variations in physical characteristics and cultures, producing not only differences in the way the bodies of different people looked, but also in the way they dressed, the food they ate, the languages they spoke and the traditions that they used in their daily lives.

By the year 24,000 B.C. humanity had become such a successful species that population groups were increasing in size. This increase in number made it inevitable that the various widely dispersed human groups had to eventually begin to bump into each other. Radically different cultures began to meet by chance in remote areas where their territories came together. These meetings, most likely were dramatic, perhaps even traumatic, because it is most likely that before meeting their long-lost human cousins, each group probably believed they were the only human beings in existence, and that all other living things were animals or plants. This belief in their uniqueness as humans had, long ago, moved each tribe to give themselves tribal names that essentially identified them simply as humans, as opposed to a particular group of humans among other humans. For example the tribal name for the North American indigenous Cheyenne nation "Tsistsistas" simple means "Human Beings". The tribal name for the Navaho "Dine" likewise means "The People" and so forth.

There is an irony to the phenomenon of ancient human groups meeting each other for the first time after thousands of years of evolutionary separation. It was a grand re-union of long-lost relatives, to be sure, but it was also so traumatic that it inevitably led to conflict. It is very likely that after the novelty of the first meeting wore off, different tribes may have begun to face off across the racial-cultural divide as enemies and may have begun to skirmish with each other with lethal consequences. My guess is that Ice-Age conflict probably amounted to nothing more than an occasional, brief fist-fight, or even a knife-fight or club-fight involving no more than a handful of men at a time, and very small loss of life. Daily life was still quite a scramble at that point in our evolution and the struggle to stay alive probably made any concerted dedication to real organized warfare impossible. And so the process of re-agglutination or re-unification of the species had begun in earnest after many thousands of years of separation and isolation, and this process promised to be a relatively peaceful one, in spite of the occasional human inclination to resort to violence and to abhor that which seems different.

Humans in the year 24,000 B.C. were just beginning to take their first firm assertive steps into the realm of practical spirituality. This supernatural and intellectual endeavor manifested itself in ritual behavior, behavior that externalized metaphysical understanding and attitudes that had probably been experienced internally, privately, and on an individual level by the pre-human or proto-human precursors of these Ice-Age people for eons before this. The important difference between these was that, previously, all of these attitudes were almost exclusively internal, private and individually experienced, because of a lack of ability to express them effectively to each other, or to share them. All humans experienced this reality in isolation as private, internalized, individualized metaphysical emotions. They were not fully aware, or did not fully understand the fact that others felt the same urges and experienced the same feelings. The unique spiritual powers that could be derived from these experiences could only be derived by one person at a time, privately, in isolation, and could not be shared. The combined, coordinated wisdom of the human community could not be taken advantage of to its maximum potential by humans. In terms of an intensely social species such as humanity, this kind of isolated individualistic experiential state was a distinct disadvantage. Even if the pre-human or proto-human ancestors of these Ice-Age people attempted to communicate these feelings to each other using the medium of the spoken word, it is likely that their rudimentary vocabulary lacked the appropriate flexibility to do justice to the complexity of human spiritual experience. A new and unique system of communication was needed to establish a communal spiritual experience. When that system finally emerged it emerged in the form of the human activity called "Shamanism". Shamanism was the most effective outward expression of internal spiritual thinking. It was behavior that externalized strong inner urges and motivations. It materialized in the form of a collection of behavioral patterns and emotional attitudes that allowed any given individual in the human community to express the hither-to, long- hidden inner knowledge of spiritual reality to other individuals. In a way, this new development amounted to a form of "publication", the act of externalizing in a very public and demonstrable way the spiritual inspirations of the individual inner self. Because the metaphysical elements that one individual was externalizing were instinctively shared in common, in one way or the other, by all of the members of his or her community, and each member of the community was able to recognize in it a reflection of his or her own personal experience, the externalization and publication of the experience became a group endeavor. The new tradition of spiritual "publication" that emerged in the form of a collection of external behavioral patterns was fresh and innovative. One indispensable aspect of this collection of behavioral patterns eventually evolved into what we now call "The Arts". The Arts manifested as part of a series of ritual and symbolic actions and activities that eventually came to be associated with all spirituality. It also became associated with almost every important aspect of a person's life-cycle and accompanied each important transitional life-event including birth, adulthood initiation and even death.

Originally, artistic expression was shamanic expression. There was never a distinction between the two. There was no such thing as "Art for Art's sake". The Arts were strictly the handmaiden of spirituality. All art was sacred art. Art was always produced in association with ritual and spiritual behavior. They were always an external representation of the inner spiritual reality and they provided the individual with the most effective medium for expressing that reality to the broader community.

All of the arts were part of this continuum. Music, Dance, Poetry, Drama, and of course the graphic and plastic arts of painting, drawing and sculpture were included in the sacred mix. The artist, the individual who surfaced as most talented and most capable in the ability to produce Art, became the first spiritual guide, the first shaman. Highly skilled dancers, singers, musical instrument players, dramatists, story-tellers, and those who could produce paintings, drawings and carvings were singled out as shamanic facilitators of the community. Into this company also entered those who had the capacity to observe nature for curative natural elements, and acquire from the natural environment through the power of refined observation, the proper materials that could be used in the concoction of medicines. Because artists often have acutely refined sense of observation, these same individuals often-times managed to develop the ability to produce the desired healing.

It is obvious that shamanic behavior and its concomitant partners, ritual/artistic behavior, and the human commitment to a covenant between the human species and the Earth Mother with her promise of life and fertility began during the period of the last Ice Age, around 260 centuries ago, a time period associated with the beginning of the first 5200-tun-long World Age of the Mayan Calendar Long Count. The production of shamanic Art that began around the year 24,000 B.C. was prolific. Once the process began, not only did those early humans, over a span of almost three full 5200-tun Mayan Calendar World Age periods, leave a large body of extraordinarily compelling artwork in the form of spiritual and shamanic paintings, drawings and sculpture, but some of this artwork seems to represent tantalizing hints of other less durable forms of ritual artistic expression such as dance, music, and dramatic storytelling. One remarkable drawing shows a man dressed in an animal disguise of some kind, complete with a set of deer antlers on his head. This man appears to be crouching in a kind of dance pose, not unlike magical dance poses and postures assumed even today by shamanic dancers who impersonate animals.

The fact that humans began expressing their spirituality in an extroverted, communal manner during the beginning of the great 260- century period means that this point in time was a moment of dramatic innovation in the history of the species. Art and its accompanying complex of shamanic-ritual expression afforded humanity with a new and very much improved vehicle for the development of philosophical reasoning and sharing. The birth of "Spiritual-philosophical publication" catapulted the human species unto a long and eventful cyclic journey of consciousness evolution. The production of shamanic Art and accompanying shamanic ritual behavior was a deeply spiritual experience, but the wonderful fact about this phenomenon was that the consumption of the Art was also deeply spiritual. Even as the shaman- artist became released of ordinary reality and was allowed to transcend to the level of non-ordinary reality by the profound experience of his or her creative activity, so his or her fellow community-members also were equally caught-up in the magic, equally transported and freed to transcend ordinary reality as they consumed the product of his or her labor. They shared in the creative process of the artist-shaman and therefore the producer and the consumer of the magical activity were bonded into one powerful spiritual unit. It is important to note here that much of the Art was consumed in more than just a passive observational manner. This Art was not a museum piece that the consumer had to refrain from touching and had to watch in deferential silence. An exquisitely decorated musical rattle, created by a skilled artist for another person was actually used by its non-artist owner in communal ritual and ceremony, and the power of its esthetic magic influenced the value of the owner's spiritual experience. Esthetics was at the heart of the shamanic experience, and the power that a skillfully executed piece of artwork, whether it was a well-performed song or dance, or a breath-takingly monumental wall painting became the very essence of that experience. Faint but persistent echoes of that ancient reality remain in the modern-day experience of a person who enters an Art museum and is confronted with a piece of artwork so emotionally compelling that he or she, no matter how culturally removed from the ancient shamanic relationship between Art and magic, has no choice but to exclaim: "That was a religious experience!" and in fact, it was!

It is important to note also that human metaphysical/spiritual expression, as manifested presently in the species, is fundamentally a product of this process which began developing around 260 centuries ago. The reason for this is that the process continued to develop relatively uninterrupted and stable for a period of three full 5,200- tun long World Ages. This amounts to almost 15,600 years of psychic evolution within the framework of a Divine Covenant between humans and the Spirit of Mother Earth. At the end of that period of time the Ice Age slowly melted away and humans began to evolve into the creatures that we are today. As a result of the amount of time that our distant Ice-Age ancestors remained under the stable influence of the spiritual covenant, we humans inherited a powerful inclination for adherence to that covenant. Deep down inside we are still fundamentally a product of that early 15,600 years of Ice-Age development. Throughout that whole period of evolution, humans enhanced and perfected the system of spiritual expression called shamanism and created of it an almost perfect vehicle for the communal "publication-sharing" of the spiritual mind. Through the use of music, dance, painting, drawing, sculpture, drama, poetry and story-telling, shamanism became the first form of media and its message was the content of the profound covenant that had been forged between humanity and the sacred spirit of Earth Mother in the year 24,000 B.C.

We know that the beginning of this process took place at the beginning of the 260-century journey of what the ancient Mayas identified as this present Calendar Long-Count Sequence. We know this because the Art of that remote era has survived to this day, has been scientifically dated, and it gives us a dramatic glimpse at the way in which those early ancestors manipulated that Art to create of it the powerful communal spiritual publication medium that it eventually became. The product of that revolution demonstrates to us that humans at that time enthusiastically charged into areas of technology and invention that had never been explored before. New tools, materials and supplies had to be invented to create and maintain the new shamanic Art. Ingenuity and innovative spirit were at a premium. Durable paints were chemically concocted by painters grinding special powders and dyes and mixing them skillfully. Carving tools were invented by sculptors. Innovative, scientifically-based acoustic and imaging strategies intended to enhance the visual/auditory experience of a dramatic presentation were developed by story-tellers, pantomimes and dramatic dancers. Malleable modeling substances had to be adapted from raw natural clays and the technique for their elaboration had to be technologically perfected by ceramicists who experimented skillfully with firing temperatures and clay types. New musical instruments were produced by musicians who became experts at manipulating sound through the use of manufactured acoustic objects. It was all new and inventive and the technological process itself was as stimulating as the aesthetic end-result of the process. We still see exciting examples of the way in which this process was shaped in the contemporary activities of modern-day shamanic Earth-based societies such as the K'ung tribes-people of the Kalahari Desert of South Africa, the Indigenous nations of the Amazon River basin and the rainforest dwellers of the New Guinea interior. It is interesting to discover that at this present point in time, here at the very end of the 260-century cycle. Humanity is undergoing a similar revolution. The present-day explosion in accessible media and communication has brought the means of publication and information dissemination back into the hands of the philosopher and the metaphysical explorer, the present-day shaman. Whereas this access to media had been limited for centuries to a privileged few with dubious or outright malevolent agendas, it now is again accessible to those for whom it was originally meant. This revolution is almost identical in character to the one that happened 260 centuries ago. Again, as in that distant Ice-Age era, the means for publishing the genuine internal human spiritual experience, the means of sharing that powerful essence of the soul which all humans need to share is accessible to those who are most fit to work with it. It has happened through a revolutionizing of technology, very much like the revolutionizing of media technology that took place in 24,000 B.C.

I believe that shamanic inclinations and the committed adherence to the covenant between the various human groups and the Earth Mother, combined with the on-going preoccupation with survival may have helped to control the human inclination to become selfishly aggressive, and may have kept cross-cultural and interracial hostilities to a minimum as individual ethnic groups continued to come together more and more across the globe.

The process of global re-agglutination of the species seems to have continued progressing at that rate and at that relatively peaceful pace for thousands of years. Then something happened and the process of metaphysical publication was taken out of the hands of the spiritual dreamers and it was transferred into other hands.

Two complex questions surface here: "When did the process of shamanic publication drift away from the hands of the dreamers and magicians who first created it?" and "How and why did this sad event take place?"

We can add to those two questions a further query; "What is the significance of the fact that this access to publication has returned to the reach of those for whom it was originally intended, now, roughly 260 centuries after it was initially instituted?"

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March 2008 News Reports

Last updated on March 13, 2008